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[G-讨论|求助] 阅读题不会做啊啊啊,求解答

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Despicablemmme 发表于 2017-7-13 23:47:48 | 显示全部楼层 |阅读模式
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A divide between aesthetic and technical considerations has played a crucial role in
mapmaking and cartographic scholarship. Since nineteenth century cartographers, for instance,
understood themselves as technicians who did not care about visual effects, while others saw
themselves as landscape painters. That dichotomy structured the discipline of the history of
cartography. Until the 1980s, in what Blakemore and Harley called “the Old is Beautiful Paradigm,”
scholars largely focused on maps made before 1800, marveling at their beauty and sometimes
regretting the decline of the pre-technical age. Early mapmaking was considered art while modern
cartography was located within the realm of engineering utility. Alpers, however, has argued that
this boundary would have puzzled mapmakers in the seventeenth century, because they
considered themselves to be visual engineers.

2. It can be inferred from the passage that, beginning in the 1980s, historians of cartography
􀀃 􀀃 A. placed greater emphasis on the beauty of maps made after 1800
􀀃 􀀃 B. expanded their range of study to include more material created after 1800
􀀃 􀀃 C. grew more sensitive to the way mapmakers prior to 1800 conceived of their work
􀀃 􀀃 D. came to see the visual details of maps as aesthetic objects rather than practical
cartographic aids
􀀃 􀀃 E. reduced the attention they paid to the technical aspects of mapmaking

答案是B,想不明白啊啊啊啊啊

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hjy 发表于 2017-7-15 00:44:17 | 显示全部楼层
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1980 年前的研究一直集中在1800之前, 所以1980后的研究转移到1800年之后。 作为一个工科生说实话我是不敢苟同这种逻辑,不过E坨屎认为是这样那就智能这么解读了。。。。
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